Colossians.3

These interludes are intended to create an atmosphere, and to suggest subconsciously the words of the different hymns with which they are associated. They are designed to be played by the hands alone, but

This superb arrangement of the familiar OLD HUNDREDTH tune is grand yet not overdone. Choral ranges are reasonable, and there is an alternate quiet ending. While the organ part is strong and would

The delicate melody befitting this familiar text gains gentle momentum by a continual movement in the keyboard. A quintessential piece for spring from renowned composer John Rutter.

From the opening drone of bagpipes, the long sustained pedal point, the creative instrumental interludes, and the field drum part in the closing verse, this arrangement reflects the signature

For SATB and orchestra or organ. The combination of solo flute and cor anglais with choir and orchestra creates a warm unique sound in this tender and restful hymn. Orchestral material is available on

This heartfelt setting of the traditional text is built upon a haunting melody of folk-like simplicity underpinned throughout by a lyrical and independent accompaniment.

This American folk hymn is marvelously arranged for SATB voices and organ. The accompaniment is written with the organist in mind, giving the organist interesting parts that are an integral part of the

This masterful anthem is one that has connected with singers and congregations all over the globe. It is a timeless anthem you'll come back to each and every year. Full instrumentation includes strings,

This is a peaceful and expressive setting of Oliver Cooke's hymn I Know a Fount, a musical reminder that by God's love and sacrifice our sins are washed away. The rich, homophonic choral writing

Beginning with the men's voices, this uplifting arrangement develops into a massive offering of praise for divisi choral forces and organ. It is a suitable capstone to any feast day, combined choral

Wilberg's arrangement of Robert Lowry's text and melody is a beautifully reflective take on the well-known hymn. Simple vocal lines are enhanced by a gently flowing accompaniment, rich in suspensions and

The well-loved Irish folk melody LONDONDERRY AIR is set here to the words of Howard A. Walter's poem I Would Be True. Alternative words to the second and third verses by David Warner are also

This is an arrangement of the 19th-century hymn by Philip Bliss, with words written by Horatio Spafford following several personal tragedies. Despite having lost his first son to scarlet fever, most of his

This is a funky arrangement of Beethoven's Ode to Joy with an English text by Henry van Dyke. The well-known melody is arranged in 12/8 time with syncopation, giving it a jazzy, gospel feel, while

A favorite text and tune of singers and listeners alike, this festival hymn is given new life in this lively and upbeat 7/8 setting. The B section is legato and chorale-like, making for a beautiful contrast

This is a flexible hymn for general worship, with an original hymn tune, CHARLESTON, by Howard Helvey. Either Francis Scott Key's Lord, with glowing heart I'd praise thee or Charles Wesley's

Mack Wilberg's a cappella setting of a tune from The Sacred Harp is strong and march-like. Highlights include accented rhythms, percussive vocal lines, tonal shifts, and some divisi, contributing

A tender prayer of simple faith, this early-American hymn is given new meaning in Mack Wilberg's deeply sonorous arrangement.  Choral lines supported by rich harmonies render a song of